POSTCOMMUNION: Regina Caeli (English - Chant) OFFERTORY: Creator Spirit, By Whose Aid (LASST UNS ERFREUEN)ĬOMMUNION: Send Us Your Spirit (Schutte - My weekly dose of penance.) SEQUENCE: Come, O Holy Spirit, Come (Chant) KYRIE: Mass XVI or Plainsong with Invocations PROCESSIONAL: Come, Holy Ghost (LAMBILLOTTE) RECESSIONAL: Go Make of All Disciples (ELLACOMBE) ORDINARY: (9AM) Heritage Mass | (7PM) ICEL Chant/Mass XVIIIĬOMMUNION: (9AM) We Remember | (7PM) All power has been given to me. 1 | (7PM) Do Not Stand and Stare in Wonder (Thaxted, Text: Adam Wood) PROCESSIONAL: Hail the Day that Sees Him Rise (Llanfair) Ended up about a minute behind schedule so the recession wasn't televised.ĩAM - Parish Mass with School / 7PM - Parish Mass with Choir
We tried to avoid an element of haste often dictated by such time constraint. The service went well under the circumstances. The whole service can be viewed here: and starts with a 2-3 minute advertisement of Amsterdam.
The Credo is based on a Russian melody and transcribed by our music director. Responses to the readings were in Dutch using local melodies and adapted chant melodies. Offertorium: Loquebantur variis linguis (Tallis)Ĭommunio: Whitsunday Hymn (R.
Gloria and Agnus Dei by Hans Leo Hassler (Missa Octo Vocum) Introit - First 4 verses of the hymn Veni creator (Gregorian chant) with concluding doxology verse melody by Thomas Tallis The intercessions were spoken out in 7 different languages, including Arabic. The whole service had to be compressed into 55 minutes (usual service length is about an hour and 15 minutes). Nicholas Basilica, Amsterdam) was televised live and available via Eurovision in much of Europe and even northern Africa. My childhood music teacher, a nun, told me that if I was going to make a mistake, then make it look like you meant to make it, and I did just that. I had every pre-set tab loaded up and ready to rip for the postlude, and when it came time for the last verse of the Te Deum chant, I forgot that my chant setting was no longer on the old pre-set, so when I hit that button, there was a roar from the heavens and that is how the whole verse was sung. I always have to leave my custom signature blooper on everything I do though, and this day was no different. There was plenty of opportunity during the Solemn High Mass to use some improvisational pieces. The choir really stepped up and delivered a one-two punch. Te Deum Laudamus chant (solemn tone) sung after the Last Gospel Ave Maria (Rachmaninoff) It was also the feast of Our Lady, Mediatrix of All Graces. Offertory: Veni Creator Spiritus chant, followed by Kreckel's organ version Prelude chant "Jam Christus Astra Ascenderat"
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